I have such a great respect for the people that do animation, for me it has been the most difficult thing I tried. I almost didn't do animation since I graduated, and I have to say that it is somehow a relief. I feel better doing concept art or backgrounds, animation is too difficult and time consuming for me!
I feel like the competition in the industry is pretty wild nowadays, saturated... It might seems funny but I would recommend to not care much about that. Since I don't really care, I feel like I'm more sincere with myself and people can relate to it through my work..
My current style of illustration is based not only on how I draw, but mostly on topics and ideas. I like to take on social related themes, and I try to share my thoughts about the world that surrounds me with my art. I like to illustrate problematic situations and conflicts of a 'not-so-perfect' world, the darker side of life. I'm pretty sensitive on that matter..
I would love to see more mature narratives put to animation, stories more geared towards adults. There’s something to be said about the relatability and universality of animated characters and I don’t think it’s a stretch to see how those concepts could bring something fresh to an older audience..
Senbei Norimaki (Dr. Slump) is a genius inventor who lives in Penguin Village, a place where humans co-exist with all sorts of anthropomorphic animals and other objects. He builds what he hopes will be the world's most perfect little girl robot, named Arale Norimaki..
Spank is a dog whose owner went missing on the high seas. While awaiting his return Spank strays at the beach every day. One day he meets Aiko Morimura, a junior high school student, whose father went also missing on a yacht tour ten years ago..
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Since 2013, Character Design References has supported and inspired a new generation of artists. We share only the finest artworks, the best tutorials and the greatest animated shorts with an international community of over 500.000 artists, art enthusiasts and animation fans.[/fade]
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